Voices: Four or Eight.
Multitimbrality: Eight part, parameters: patch, number of voices, mono or poly: splits, layers, prepared.
Audio outputs: One main stereo and mono output, one stereo TRS output connection per voice.
Audio inputs: One input connection per voice.
Interface: 32 knobs with relative and jump modes, 1 rotary encoder, 35 tactile switches, 24 LEDs.
Display: 16 x 2 back lit liquid crystal.
Memory: RAM: 254 patch locations in program mode, 128 in multi mode, ROM: 254 in program mode.
Weight: 20 lbs.
Dimensions: 4 rack spaces, 15 inches deep.
Power: 90 - 250 volts AC auto switching.
Two voltage controlled discrete analog oscillators, one sub wave of Oscillator 1, waveforms: triangle, sawtooth and variable width square; simultaneous waveforms output; syncing of Osc 2 to Osc 1.
Two voltage controlled discrete analog filters: 12 db (classic Oberheim® style) hard-wired into voice board; 24db (classic Moog® style) in docking slot 1; 2 additional filter docking slots––2 and 3, can host our classic Roland® 303, Arp® 2600, and Yamaha® CS-80 style all hardware filters; 12db filter modes: low pass, bandpass, high pass and band reject. Filters do not operate in series or parallel. Each voice can access all four filters.
Three multiple stage envelope generators: attack, decay, sustain and release with inverting and multiple triggering; additional delay, decay 2, and breakpoint parameters for envelopes 1 and 2; assignable 3rd envelope with up to three destinations and depths. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level.
Three low frequency oscillators, waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random; three destinations and depths each for LFOs 1&2, with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync. LFO3 fixed to voice panning.
One, parameters: tempo, direction, range, interval, midi sync.
Linear or exponential, parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.
One, two, four, six, or eight voices.
Prepared: one MIDI channel, up to eight different patches (synths); split: set point; layer: 4-4...; multi: channelize up to 8 patches (synths).
Oscillator 2 audio frequency modulation, destinations: OSC 1 frequency, OSC 1 pulse width, filter frequency; white noise generator; auto triggering external input processor on each voice, parameters: input level, trigger level, mix level, window.
LFOs 1, 2 and envelope 3: VCO 1 and 2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1 and 2 rate and depth, VCA level, external mix level.
Dynamics, modwheel, bender, pressure, tracking, breath controller: LFOs 1, 2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release amounts.
In out and thru. Receives program change, bank select, glide on/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignments: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignments: same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender can manipulate positive and negative modulation values. Fixed continuous controller assignments exist for all key functions.