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Produkte > Mikrofone > Avantone Pro > Kondensator Mikrofone
CK-6 Classic
Grossmembran Kondensator Mikrofon
Nieren-Charakteristik

- Grossmembran Kondensator Mikrofon, Niere
- 32mm goldbedampfte Mylar Kapsel
- 80 Hz High Pass Filter
- Pad-Schalter -10dB
- Wird mit Shockmount in Alukoffer geliefert

The Avantone "Cabernet (C-series)" mics are designed to offer true  professional performance. They will meet or surpass the performance and  specifications of much higher priced mics.

The Avantone CK-6 is truly a gorgeous looking and sounding microphone.  The design, character and performance can be compared directly to fine  studio-standard FET micsbut at a fraction of their cost! Our rugged CK-6  microphone body and capsule assembly are precision machined of brass.

 
Aesthetically, it features an elegant Cabernet Wine-Red finish, accented  with polished nickel trim and capsule assembly. The transformerless  Discreet Class A FET circuitry will yield pleasing professional results  comparable to much more expensive designs. The CK-6 houses a 32mm  gold-sputter thin Mylar capsule.

The CK-6 in its normal stock version uses high grade Polystyrene and  Metalized Polypropylene capacitors in the audio path. This represents  our commitment to quality as these normally are the type of "upgrade"  components that are implemented by microphone modders/hot-rodders! Any  studio can proudly offer the CK-6 for instrumental and vocal mikingIt  exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel,  superb structural integrity and rugged reliability. The versatile CK-6  mic is able to produce professional results with a clean sonic  character.

The included Custom Retro Shockmount is superb in allowing a precise  positioning of the mic while inhibiting the transfer of unwanted  vibrations up into the mic. This isolation allows for superior  professional results.

The CK-6 has separate -10 dB pad  &  80 Hz LF roll off  switches....The -10dB attenuation switch can be engaged when miking very  high SPL sources to keep from overloading the electronics. The 80Hz  high-pass filter switch can be engaged to reduce rumble and to keep  unwanted low frequencies from "muddying up" the track.
 
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