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Produkte > Studio Equipment > Millennia > Portable Series
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Technische Daten
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HV-32P
Stereo Portable Microphone Preamplifier
- HV-3 Stereo Mikrofon Vorverstärker
- Leicht und portabel
- Batteriebetrieb möglich
- Variables Gain von 14.5 bis 60dB (70dB Ribbon Mode)
- Ribbon Microphone Mode mit 10dB Gain Boost
- 80 Hz Highpass Filter
- 48V Phantom Power
- 15dB Pad
- Phase Reverse
- Frequenzgang von <10 Hz - >200 kHz
Paul Vnuk - Recording Magazine
"This is essentially the third time I have reviewed this preamp, and I must also disclose that I own and have been using an 8-Channel HV-3D for well over 12 years now...it’s a sound I know well and really appreciate. Everything that I used to describe the HV-3 sound above holds true to these new HV-P models, and while there are some spec differences between the older HV-3 and these, my ears cannot detect a difference..."
HV-32P
Stereo Portable Microphone Preamplifier
Minimum Gain: 14.5 dB, 1dB with Pad
Maximum Gain: 60 dB (70 dB in Ribbon Mode)
Frequency Response: (-3 dB) < 10 Hz to > 200 kHz
typical -1.0 dB @ 10 Hz
typical -1.5 dB @ 200 kHz
Noise (60 dB Gain, 10 Hz - 30 kHz) -130 dB EIN
THD + Noise (10 Hz - 20 kHz, +24 dBu Out): < .003%
Typical < .001%
IMD (50 Hz & 7 kHz) 35 dB Gain < .0006% +12 dBu Out
<.001% +20 dBu Out
Phase Response: < 2 degrees deviation
CMRR (10 Hz - 20 kHz bandwidth, 100 mV C.M.) > 65 dB
Typ > 85 dB
Slew Rate: > 25 Volts per microsecond
Maximum Input Level: +12dBu @ 0.02% THD+N
Maximum Output Level, THD+N: < 0.001% at +26dBu output
< 0.05% @ +28 dBu output
Phantom Input Impedance: (1 kHz) 2,210 ohms
Output Impedance: 24.3 Ohms (x2)
Phantom Powering: 48V dc +/- 2V dc
Dimensions/Shipping: 5.67" W x 1.69” H x 8.19” D
Shipping Weight: 3 lbs.
HV-32P
Stereo Portable Microphone Preamplifier
HV-32P
Stereo Portable Mikrofon Vorverstärker
HV-32P
Stereo Portable Microphone Preamplifier
Vovox 6.3301: sonorus direct S Mikrofokabel, 1m
Vovox 9.0001: textura Steckerleiste, 6x CEE 7/7
Teknosign Noise Buster: Netzfilter
Millennia
Music & Media Systems
Placerville CA, USA
A leader in critical audio recording products for 25 years, Millennia gear is used by the most discriminating clients worldwide in classical music recording, studio recording, film scoring, sampling, live music, acoustic music, mastering, archiving, and acoustic research.
With over 30 industry awards, 40,000+ channels in use, and thousands of top industry clients, Millennia continues to set precedent in dynamically stable, timbre-neutral audio paths, from microphone capture to consumer delivery. In the world’s great symphony halls, to the Library of Congress, from Hollywood’s top scoring stages, to countless recording, post and mastering rooms – Millennia has likely played a role in some of the music you’ve listened to today.
Design Philosophy
Millennia started life as a classical music production company, working mostly with N. California symphony orchestras. Our original HV-3 front-end was designed specifically for critical acoustic recording, maintaining signal-path purity and acoustic realism without regard to manufacturing cost. Word spread about our designs and recording engineers worldwide were asking us to build HV-3's for them. That was 25 years ago. Since those early years, we've grown to be one of the world's foremost providers of ultra-high-performance recording equipment, and the world's most-used outboard microphone preamplifier for critical music recording (symphony orchestra, film scoring, critical acoustic, etc.). Our design philosophy has never varied. We continue to apply the most rigorous practices to audio design and manufacturing. If a Millennia circuit (preamp, EQ, dynamics, etc.) isn't the most accurate, neutral, dynamically-stable instrument of its type, we continue working until it is. It's no surprise that Millennia products demand among the highest resale values in pro audio today.
Copyright 2017. All rights reserved.